Health And Safety Evidence - Task 16

As we are directing, filming and have actors, we want to ensure that we are not in any danger. This will e done tightly following our control measures and have a generally careful attitude to any dangers in the process, by doing this, noone will be hurt in the process of making our music video.

Digipak Plan / Draft / Sketch - Task 14

A2 - Media Digipak Designs

This task has allowed me to put some of my ideas on to paper and discus with my partner what ideas we have. By doing this I am able to see what ones we like and can develop our ideas further which will lead to the best ideas possible.

Analysis Of Lyrics - Task 11

By doing this task, it allows me to have a further understanding of the lyrics which will enable me to be more creative but also it will make my shot types and ideas much more relevant and conventional.

Shot List And Timeline Of music Video - Task 10 & 13

Shot Plan/Timeline Of Music Video

0:00 – 0:15 – Crane up, over the shoulder, establishing/long shot – track - downs/suspension bridge

0:15 – 0:18 – spotlight comes onto Reece – long shot - studio 

0:18 – 0:22 – zoom into Reece - studio

0:22 – 0:29 – Track, long shot zoom to mid shot - studio

0:29 – 0:38 – arc around Reece – mid shot - town 

0:38 – 0:43 – spot light mid shot zoom to close up -  lane

0:44 – 0:47 – close up - lane

0:47 – 0:50 – pan right to a girl - lounge

0:50 – 0:58 – pan down girl - lounge

0:59 – 1:05 – track and tilt up at Reece - stairs and bedroom

1:05 – 1:12 – zoom in – close up - bedroom

CHORUS - top of car park roof/Amsterdam underground

1:12 – 1:19 – arc round and tilt up

1:19 – 1:25 track out and crane down

1:25 – establishing shot, pan left to mid shot of Reece zoom to close up

1:41 – 1:48 – tilt up - lounge

1:48 – 1:55 – pan away – across room with people drinking - lounge

1:55 – 2:02 – track Reece and arc around him – mid shot zoom to close up - lounge/cafe

2:02 – 2:09 – continue to track Reece, but stop at 2:06 and focus pull on to jar of smoke with ingredients next to it - Amsterdam cafe

CHORUS - top of car park roof./Amsterdam underground

2:10 – 2:17 – arc round and tilt up

2:17 – 2:23 - track out and crane down

2:23 – 2:39 - establishing shot, pan left to mid shot of Reece zoom to close up

2:39 – 2:52 – long shot, crane up, zoom - projector/silhouette - studio

2:52 – 3:06 – pan right, mid shot, slow zoom to close up, zoom out and pan right

CHORUS - top of car park roof/Amsterdam underground

3:06 – 3:13 – arc round and tilt up

3:13 – 3:19 -  track out and crane down

3:19 – 3:37 - establishing shot, pan left to mid shot of Reece

3:37 – 3:44 – track and crane up - town/London town/busy place - time lapse of people frantically walking around reece but he is stood still in the middle of everything

3:44 – 3:51 – arc around Reece - close up - town/london/busy place

3:51 – 4:02 – zoom out to mid shot and track - fade black 

4:02 – finish – establishing shot of city lights out of focusdowns/suspension bridge

Story Board - Task 9

For me and my partner to make a specific story board was hard as we can't draw the exact locations as we will be filming mostly outside of Bristol in places such as Amsterdam and London. Despite this we tried to get the main shots that we want to feature in our music video.

Filming And Editing Schedule - Task 8

We made a filming and editing plan to make sure we stay on top of all of our filming as well as editing. This way we won't fall behind and will meet the deadline and end up with a successful final product.

Contact With The Artist - Task 7

In this industry its important everyone has a good conscious in regards to copyright as it effects the industry massively costing billion pounds a year. Therefore we chose to ask the artist for permission to use one of his songs for educational purposes only.

Props List - Task 6

Some props that TheWeeknd may use in his music videos are props which we are actually unable to use. Instead of actually showing the drugs, we can use a smoke machine or still blow out smoke but use the editing machines to create an effect like slow motion or blur the shot giving off a dazed effect, representing the sensation of the drug. In my research I have saw this many different times so it isn't unconventional to actually do this.